Acting for Film and Television

In a career spanning more than thirty years, John has been a busy screen and stage actor. He has appeared in leading roles on Toronto’s mainstages, at the Stratford Shakespeare Festival, Off-Broadway as well as at numerous North American regional theatres such as Philadelphia’s Walnut Street Theatre. He has had a long standing artistic relationship with the Royal Manitoba Theatre Centre. In 2018, he won the Best Actor award there for his performance as Eric in Stephen Karam’s The Humans, a finalist for the 2016 Pulitzer prize and winner of a Tony for best new play. As a teacher, he has taught and directed students at several colleges and universities across Canada and since 2005, has been the director of Humber College’s screen acting program. In 2016, Humber recognised him with the President’s Award for Teaching Excellence.

On screen, he is much in demand as a character actor. He has been a series regular (KUNG FU, THE CITY, LITTLE MEN, CARTER) and has acted with a compendium of notable film and stage actors. His imdb page lists more than one hundred and twenty screen appearances. Highlights include the Peabody award-winning film, “THE INTERROGATION OF MICHAEL CROWE” as well as the Genie award winner for the indie film “THE DANE”. Recent appearances include FX’s Mrs. America, and the upcoming Netflix series Jupiters’ Legacy. This fall, he will appear as CIA Director John Brennan in the CBS mini-series The Green Room opposite Jeff Daniels. Raised bilingual in Montreal, John has also acted in french on stage and in the hit Quebec series “L”OR”. In addition, he has performed in several international commercials, radio dramas and appeared in the comedy digital series SAVE ME for CBC Gem.

In 1998, John produced and directed the short feature film Jimmy Pacheco which received nominations for Best Comedy at the Yorktown and Mill Valley Film Festivals. He wrote and performed the one man drama Tansey’s Brag ( subsequently taped for Bravo television and CBC radio) as well as Walking on Crimson, a play inspired in part by Romeo Dallaire’s UN Command in Rwanda which he performed in the Toronto Fringe Festival. He has produced several showcase films with graduates of the program, most notably the feature length ""After Lola"" with the Class of 2013.

Trained for the stage at Concordia University (BA English & Theatre) and The Webber-Douglas Academy in London, he also holds an MFA in Creative Writing from the University of British Columbia.

In his spare time, he plays tennis, cycles and travels. He is married to the actor, Maria Ricossa with whom he raised three wonderful daughters.

Peter is a writer, filmmaker and educator based in Toronto.

His documentary On the Road to Virtue chronicles the relationship between a Canadian social justice advocate and refugees from the 1980s civil war in El Salvador. It was recently added to the permanent collection of the Museum of the Word and Image in San Salvador. Earlier documentaries include Guarding A Musical Treasure, a journey into the world of Baroque culture in Bolivia, as well as the science docs The Challenge of Quantum Reality and The Mystery of Dark Matter for Perimeter Institute for Theoretical Physics. He also produced, shot, and edited English for Yu, a 1994 Hot Docs finalist, which followed three women who fled the Bosnian civil war for new lives in Canada. Previous scripted projects include the comedic short Dear Bear and the irreverent web series Turning Intern.

Peter was also a visual effects designer on several successful multimedia musical revues for Drayton Entertainment including Twist & Shout: Music of the British Invasion, Legends: A Salute to Musical Pioneers, You’ll Get Used to It: The War Show! and Canadian Legends.

Peter is also the author of the 1987 historical monograph Caring On The Grand: A History of the Freeport Hospital, and the memoir essay “Terrazzo,” published in the 2004 American anthology Walking Higher: Gay Men Write About The Deaths of Their Mothers.

Viv Moore was born in England and has worked collaboratively and solo as a dancer, actor, choreographer and teacher for 40 years, in dance, theatre, film and video in Sweden, Australia, England and Canada. She has trained in ballet since the age of four, then later in social dance, jazz, national dance and modern at Chelsea College of P.E., Eastbourne. Extensive travel was then mixed with further training in Calgary, Montreal and Vancouver, performing with the Alberta vaudeville group Roaring Twenties (1974-78).

Viv co-founded Remote Control with Dave Wilson in 1979 (Vancouver) and participated in the inaugural fFIDA in 1991 (Toronto). She has co-written several publications, presented at international conferences and has worked with community dance in London, England and Canada (RNIB, CNIB, deaf and partial hearing, multi-abilities and psychiatric survivors).

Viv has taught at McMaster and Ryerson Universities, Seneca, George Brown and Sheridan Colleges. She has been teaching at Humber since 1985 (Theatre Arts - Performance and Acting for Film & Television), where she choreographed main stage productions and directed Decadance, dance company within the Theatre Department. Viv was co-choreographer to the Humber contingent of theatre students who represented Ontario at Expo 86 in Vancouver.

Viv received a Harold (1998) and was national-co-ordinator of Fight Directors, Canada (Advanced Combatant). She has a BFA (Dean’s Honours List) and an MA in dance from York University.

Selected credits: Viv has been an actor and company member of Theatre Rusticle (The Stronger, Birnam Wood, Peter & The Wolf, Our Town); and movement coach and choreographer for Theatre Direct (Dora-ominated Sanctuary Song) and on plays and films, including Hedda Gabler (Dir. Judith Thompson, Shaw Festival), Midsummer Night’s Dream (Dir. Kate Lynch, Theatre Passe Muraille), La Danza (Quartetto Gelato), Emily's Piano, the Dora-nominated Between the Stairs, and  Antigone (YPT). Viv has created work with EFDSS (English Folk Dance & Song Society) in England.

Dance films include Waking the Witch, Ohm, tra la la. She has danced in Denise Fujiwara’s Conference of the Birds and with Sashar Zarif Dance Theatre.

Some of Viv’s own dance theatre works include Bogie Woman (1999 Paula Citron fFIDA Award), Body Geometry-Seventh Angel (2002 Dora nomination), On Tenterhooks (Nuit Blanche-Distillery) and her solo show, Worcestershire Saucy, which she choreographed, produced and performed at Factory Theatre.

In 2012 Viv received a Chalmer's Fellowship of the Arts to further her studies in English step dance, weaponry and butoh. In 2014 she was artistic director and curator of the inaugural Body Percussion Festival and she has been curator and macro choreographer for 60x60.

She continues to study butoh, dance improvisation and physical theatre. Viv has recently acted in the films The Witch (Sundance 2015), God & Doubting Women and had a recurring acting role with stunts in the TV series Damien (A&E March 2016). She was featured as CADA’s (Canadian Alliance of Dance Artists) member of the month in October 2016. 

Maria has worked in film, television, radio and theatre in both the US and Canada for over 30 years. She has been a series lead, guest star and recurring character on numerous TV series including Clarice, Ransom, The Strain, Flashpoint, The Good Witch, Omni’s Blood and Water, and CTV’s Designated Survivor. Leading roles in feature films include The Inlaws, Some Things That Stay and The Space Between.

Maria’s work in theatre includes leading roles at the Tarragon Theatre, Canadian Stage, Necessary Angel, Nightwood Theatre, The Manitoba Theatre Center, The Harold Green Jewish Theatre and Theatre 180. She was also a member of the Stratford Shakespeare Festival playing leading roles in King Lear, Love Labour’s Lost, Twelfth Night, Measure for Measure and Hamlet. Maria recently received the Independent Leader Award from the Vaughan Film Festival.

Maria has taught at University of Toronto, George Brown Theatre School and has been the on-set coach for the Netflix series Shadowhunters and Tiny Pretty Things. She also coaches actors privately for theatre, film and TV.